Konstanze — Nicole Chevalier Blonde — Nora Friedrichs Belmonte — Adrian Strooper Pedrillo — Johannes Dunz Osmin — Jens Larsen Bassa Selim — Guntbert Warns. Stage director — Calixto Bieito. Komische Oper, Berlin, Germany. Friday, April 13th, Now, in its final revival, I was pleased to finally be able to get acquainted with it. There was no hint of scandal in the house tonight. Indeed, the evening was greeted with a generous ovation by the public. And yet, as so often with Bieito, the cumulative whole has genuine insight and impact. He asks a lot of his singing actors. The staging is physically demanding. Entführung escort agency oslo nudist dating often approached as a picturesque work with little interest for the cultural stereotypes contained within. As the evening progresses, he gradually takes us into an infinitely darker part of the human soul. More than anything, and in common with his Oslo ToscaBieito makes this her story. The journey of a woman as she survives unspeakable trauma and her search for something, anything, that will help her find resolution. Yet Konstanze is only one of the women on stage. In doing so, Bieito tells the stories of those whose stories are almost never told. That is where the power of this staging lies. This is however a reality for women working in the sex trade daily and Bieito never allows us to forget that. Escort agency oslo nudist dating makes us reflect on our world and provokes us to feel and to think for those who suffer. As with the recent Stuttgart Parsifaltonight would not have had the impact it had, had it not been for some truly exceptional performances in the cast. The ladies in particular were absolutely sensational. Indeed, the quality of performance that the Komische offered tonight for this revival was better than many other theatres offer for their premieres. The entire cast threw themselves into everything asked from them, whether that involved nudity, being whipped or throwing themselves to the floor. Their dedication to the success of the evening was nothing short of remarkable. Nicole Chevalier was a fabulous Konstanze. The voice is a good size and endowed with a creamy core and a silky exterior. The tessitura held no terrors as she dispatched one of the most challenging arias in the repertoire with the utmost ease. The registers are absolutely integrated from velvety bottom to shining top. A truly exceptional performance. Nora Friedrichs gave us a scintillating Blonde. The voice has the lightness of cotton candy with an attractive vibrato and an easy top. The gentlemen were very good if not quite on the same level as the ladies. Adrian Strooper sang a mellifluous Belmonte in a silvery tenor with easy reach. That said, it was all of a piece with his acting of the hyper-masculine incarnation. Guntbert Warms had stage presence to spare as Selim. The orchestra played extremely well for Ivo Hentschel. Strings with minimal vibrato and sharp attack really helped create a beguiling sound world.
Mischiefs and Mishaps
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